Szilágyi Erzsébet fasor 5 : Modernist Elegance from the 1930s

This elegant modernist residential building is located at Szilágyi Fasor 5, in the 2nd district of Budapest. It was constructed in 1933 based on the designs of István Fenyves and Miksa Fried. A captivating article from “8 Órai Újság” on Friday, March 5, 1943, sheds light on a mysterious incident within these walls.

Situated in the heart of Budapest, the enigmatic death of János Erdélyi, a renowned 30-year-old dancer residing at Olasz Fasor 5, prompted a thorough police investigation amidst suspicions of foul play. However, recent medical examinations revealed a different truth: János passed away due to a brain condition, not criminal activity.

János shared a close friendship with Sonja Sontens, a Danish dancer of remarkable talent. Hailing from Denmark, Sonja spoke multiple languages, including German, French, English, Italian, Spanish, and Danish. Her intellectual curiosity and her presence during the events of that tragic night made her a central figure in this unfolding story.

On the tragic night, János called Sonja from a café in Budapest, seeking her help to return to his apartment due to illness. Despite Sonja’s suggestion to call a doctor, János insisted that she leave after some time.

After Sonja left, János’s health worsened, leading to his passing within his apartment. The apartment showed signs of struggle, indicating the challenges he faced in his final moments, with Sonja nearby.

In conclusion, the mystery surrounding János’ untimely death was resolved with the revelation that it resulted from a medical condition rather than foul play. Sonja Sontens, his friend, was with him during his last moments where the tragic story unfolded.

Modernist building from the 1930s in Budapest
The building in 1934 in the Tér és Forma magazine

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I have launched Buildings Tell Tales in 2019, and since then visited and photographed over 1000 old buildings in Budapest. My goal is not only to take photos but to uncover the interesting stories hidden behind the old walls. By linking the stories of ordinary people such as workers, students, merchants, and domestic workers to specific places, I want to make the past tangible. Old buildings should be preserved not only for their aesthetic value but also for the memories they hold and the stories they tell. If you’re interested in learning more about me, you can read additional details on this page.

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